Imagine if archaeology went sonic and dug up a layer of UK synth weirdness, circa 1982.
It would sound something like ‘The Quiet Room’. Yet far from being a haircut band, this Australian duo comes from the avant-electro end of the spectrum, where lush soundtrack style, analogue synths sit beneath moody abstract poetics and darkly sparse instrumentation. Think Japan, Aztec Camera, Heaven 17, ‘Dazzleships’ era OMD and obscure Human League b-sides blended into an exotic, cinematic, off-kilter melange.
‘All The Frozen Horses’ is late night music for smoky rooms. Leftfield, literary and liquid,
it’s a private pleasure palace for the arty bastard inside you.
'The Quiet Room'
An experimental collaboration between 'Happy Ghosts' founding member Andrew Muecke & EVOLETAH singer/songwriter Matt Cahill.
'All the Frozen Horses' is the resulting debut album of both Matt & Andrew's collective musical histories colliding.
Containing elements of both Dark & New wave, 'All the Frozen Horses' is Avant-Garde/Electro pop, at its best.
It would sound something like ‘The Quiet Room’. Yet far from being a haircut band, this Australian duo comes from the avant-electro end of the spectrum, where lush soundtrack style, analogue synths sit beneath moody abstract poetics and darkly sparse instrumentation. Think Japan, Aztec Camera, Heaven 17, ‘Dazzleships’ era OMD and obscure Human League b-sides blended into an exotic, cinematic, off-kilter melange.
‘All The Frozen Horses’ is late night music for smoky rooms. Leftfield, literary and liquid,
it’s a private pleasure palace for the arty bastard inside you.
'The Quiet Room'
An experimental collaboration between 'Happy Ghosts' founding member Andrew Muecke & EVOLETAH singer/songwriter Matt Cahill.
'All the Frozen Horses' is the resulting debut album of both Matt & Andrew's collective musical histories colliding.
Containing elements of both Dark & New wave, 'All the Frozen Horses' is Avant-Garde/Electro pop, at its best.